The MTC community
art program presents:
Tom Paiva
THE ART OF STEEL:
Views of fabrication work for the new Bay Bridge East Span
in Shanghai, China
MetroCenter
101 Eighth Street, Oakland, 2nd Floor
(at the Lake Merritt BART Station)
510.817.5700
Open 9 a.m. to 5 p.m. weekdays
View online
gallery
Artist's Statement
Over the past year, I have been exploring
the construction of the new East Span of the
San Francisco-Oakland Bay Bridge both here
in the Bay Area, and in the spring of 2009,
abroad at two facilities in the vicinity of
Shanghai, China – one producing deck
and tower pieces, and the other producing the
bridge cables. I am attracted to the monumental
scale and dynamic forms of the development
of this major bridge project. Each image
is a moment in time, because the project
is always changing, morphing each month as
new materials, engineering and components
are added.
I am drawn to the power and
monumentalism of major industrial projects. But
unlike most art photographers who focus on
the industrial landscape, I enjoy working at
night and twilight, and in color.
The commercial
sites are often still functioning, but the
glare and energy of the day have subsided. What
is raw and ugly in the noontime sun is transformed
by night into an evocative landscape you
want to explore and linger in.
I adore the large
format, 4x5 negative, which captures an unbelievable
amount of detail and tonality. On the
other hand, it is incredibly hard to do, especially
at night. Because
my exposures can be as long as 15 minutes,
I rarely get more than three or four images
completed in a night's work. I actually
like the technical challenges of working with
film at night. You cannot be sure what
the film will pick up in these environments
of complex mixed light sources, diverse
intensities and deep shadows. The available light
sources of sodium vapor, mercury vapor, metal
halide, tungsten and fluorescent intensify
the yellows, blues, greens, and overall depth. I
do not use computer manipulation in my
work.
This show features 39 images from the
China trip. Some were taken outdoors at night
or in twilight conditions, while others were
taken in cavernous indoor, hangar-like facilities
that create conditions similar to night and
twilight.
— Tom Paiva