The MTC community
art program presents:
MOTION
Photographs
by
Anne Terpstra
Anne Terpstra is a San Francisco-based printmaker
and photographer. A native of the city, she
lives and works in the artistically vibrant
Mission district. Anne has studied Fine Art
at San Francisco State University for the past
five years and was gallery manager of the Martin
Wong Gallery, a student gallery within the
Fine Arts department at San Francisco State
University, in 2007 and 2008. Anne has experience
in exhibition design management, curating,
installing and documenting shows. She currently
provides assistance in the installation and
documentation of art shows at a new gallery
in San Francisco, Gallery 60SIX.
Anne has worked with other artists as a master
printer, printing several editions of a series
of etchings by Tadayoshi Nakabayashi, master
Japanese printmaker and living treasure of Japan
(edition entitled Nothing Can Escape Decomposition).
Anne has created multiple series of prints at
the Mission Cultural Center in San Francisco.
She currently exhibits her work in San Francisco
galleries and has won awards in printmaking,
including the Silvia Walters printmaking prize
at the 17th and 18th Annual Stillwell Shows,
A Juried Graduate and Undergraduate Exhibition
at San Francisco State University Fine Arts Gallery.
Anne has published monotypes as cover art for
CD packages by Adventure Music, New York, NY,
and is available for commission.
Artist's Statement
These photographs seek to establish new spatial
and optical relationships and explore the idea
of proprioception, which has to do with one’s
unconscious perception of movement and spatial
orientation arising from stimuli within the
body itself. I am interested in how fast we
traverse time and space through current modes
of transportation and what control this offers
us, but also what control it takes away from
one’s ability to interpret surrounding
environments. At the rate we are moving, we
now have less control and cannot perceive internally
how fast we are moving. In a sense we have
lost a major mode of perception when traveling.
We don’t always take the time to think
about the pace at which we are moving and how
this changes not only our perception of what
we see through our window, but also how this
changes one’s perception of the self.
By taking pictures in motion, and freezing
them into still images, I illustrate a loss
of control in the physical realm that draws
one’s attention into an inner reality.
The images in “Motion” are all
digital color inkjet prints. The works presented
were taken in major cities around the world,
including, but not limited to, San Francisco,
New York City, Paris, Dresden and Shanghai.
In Shanghai, in the spring of 2009, I began
to use digital photography to capture my subjects
in motion by way of shooting from moving cars
or by shooting moving objects themselves while
keeping the camera still. I found this process
of creating images extremely liberating in
its taking on a quality of indirectness. At
the speed some of the images are taken it goes
without saying that I do not know exactly how
a print will come out. This artistic distance
mirrors both the mode and subject of the images
created.
Capturing cities in motion indirectly illustrates
progress, currently a big issue in Shanghai,
as traditional ways of living and “old
towns” in Shanghai are rapidly being
demolished and new skyscrapers erected in their
place. The shots capture an abstract spontaneity
in their use of color and the blurred effects
of a moving camera. Exposing modern life in
a state of flux, the images reveal a passage
of time and distance traversed, allowing one
to enter into a state where space and light
bend, opening doors to the unconscious.
—Anne Terpstra